EDITORIAL / CALL :: Rhizomatic Intentcasting and Cocreative Support :: Live Broadcast with links, notes, minutes and intentions for modelling
I know I say I'm excited to share things with you all the time -- this is genuinely true, and makes me even more excited. It's exciting that there's so many things to get excited about. In creativity and collaboration, there is more foment and room for possibility at this very moment than I've ever experienced before. And like YES! magazine for the creative community, perhaps, we're here to share the good news, in order to help you actualize that ... and learn who else is doing so. We've been addressing the use of social technologies and publication more and more recently, it seems. And with good reason: every day new tools crop up that can be incredibly useful in the establishment and leveraging of "creative agency" that we are working to model here at Exit Strata. For the past few weeks, we've been featuring the Field Notes and field recordings of Kennedy Karate/Nightbus Radio, via which we introduced the community to Soundcloud's fellowship program... as well as, perhaps, to the possibilities inherent in that recording and distribution platform. Since then, I signed on to begin broadcasting live across social platforms using the Spreaker application, which allows users to automatically record, broadcast and disseminate audio content (and mix in various audio sources). In so doing, I immediate recognizes the possibilities for this platform as, essentially, another form of publication-as-self-valuation, for creative people of ALL types, not just people who define themselves as "musicians," or "sound" artists in any way. The immediacy of the medium makes it an incredibly powerful one, in so far as it allows for simulcast of thoughts, read material, or whatever the individual so chooses, which can be recorded virtually via any internet connection and/or mobile device. Of course, to be unintentional with this tool creates confusion and adds to noise - as does misuse of ANY tool or technology, from farming and fishing nets to AI. It's the intentionality and clarity of purpose that makes this most powerful: we can engage with it to create continuous documentation of process in a way that is incredibly human, due to the connective qualities of the VOICE. After signing up I began circulating both my new channel and inviting others to participate via integration with facebook and twitter, and others began to use it as well and invite others on board. There was an immediate ripple affect, which simultaneously inspired essential conversations about process value and transparency that I knew could be useful to the community as others make their way through this new, seemingly overwhelming, wilderness of potential. I want to comfort people in knowing that the learning curve is gentle. These are not complicated tools, but they do require some quiet approaching, like a skittish animal... or maybe YOU are the skittish animal! Be gentle, it's a new paradigm :) What we've done here is used another powerful tool, Google Hangout, broadcast live via YouTube integration, to record a dialogue around these tools and their possibilities in shifting both community and self in the way we approach creative work. Taylor Quilty, in Asheville, NC, and Lancelot Runge, in Philadelphia PA, both of whom have also begun podcasting through Spreaker this week, join me for the discussion. What you also see here are the notes we co-wrote while on the "hangout" through integration with google docs, and some basic minutes of where the conversation went, including links to relevant information. You'll also find mini embedded players for each of our Spreaker casts, as well as a drop box for the new Exit Strata group on Soundcloud, where we will begin to gather community sound content (anything goes!) for upcoming live dialogues and community curated podcasts. Truly - there is limitless potential here. COME PLAY. {broadcast live via google+ hangouts on air} Rhizomatic Notes / Minutes Tuesday September 18 2012 Lynne DeSilva-Johnson Lancelot Runge Taylor Quilty
ART :: NOTES FROM THE BUREAU OF SELF-RECOGNITION : CHLOË BASS
Exit Strata is pleased as punch to introduce you to interdisciplinary conceptual artist Chloë Bass, who will be sending us Field Notes from her upcoming journey across the pond as she continues her ongoing work with The Bureau of Self-Recognition.
FIELD NOTES: WHAT WE ECHO::Perpetual Creation—Collaborative Momentum
This week Danny and I passed the three month mark of our journey across the United States. Three months in, the goal still centers on journeying outside of our selves. That task complicates itself at every turn, but the motion
ART : HELIOPOLIS PROUDLY PRESENTS :: DO IT AWAKE! (on Mysterious Mountain) :: EMMA CORRALL / MOLLIE MCKINLEY / ELIZA SWANN
Ripe For Pleasure on Mysterious Mountain - TRAILER from Bride of Fire on Vimeo. "The mountains got tired / Of sitting amongst a sleeping audience" - Hafiz Awesome Creators : Heliopolis Project continues to inspire with DO
ART: DESERT RAVEN PHOTOGRAPHY :: Capturing Creators "For the Love of ART"
Desert Raven Photography is a collaborative endeavor between Ashley Garvy and Audrey Helow - a company birthed out of their desire to be continuously making art together. Garvy and Helow took the time and made the effort to find a way. To
FIELD NOTES: WHAT WE ECHO::Animating in Mississippi: Danny Madden and Benjamin Wiessner
Travel often makes me aware of the many roles that I continually fulfill without realizing them. There are moments in any successful trip that cause the traveler to come face to face with his/her own intentions, hopefully causing the traveler
SOUND: on "Transmission, a radio play" – Douglas Wright
Exit Strata presents
EDITORIAL :: FIELD NOTES and the RHIZOME : the series grows wild and free
[caption id="attachment_1521" align="alignleft" width="632"] "from the seemingly random the rhizome develops" - Bob Holman, June 23rd, 2012 @ Naropa SWP | intuitive responsive visualised field notes by Lynne DeSilva-Johnson[/caption] Since the inauguration of the Field Notes series there has been a great rumbling -- not only of interest in the project [on deck: filmmakers, musicians, programmers, visual artists, activists...!] but also in the expansion of its attentions. Given our proclivity towards community collaboration we eagerly sop up the runoff of creative juices that gathers like dew on you all in the morning! So, naturally, to the question, "could we also include ____?" the answer is, why NOT? If you're new to Exit Strata, this is a good time to introduce you to our commitment to PROCESS: as much or more than we are excited to share and celebrate the products we create, we thrive and exist around the notion of creating community together via an intentional desire to the work of art. That is to say the WORK that is art, and the collaborative acts of craft across many disciplines that make this work so rich. We are not interested in what is NOT. We are interested in IS. Human attention, human questioning, universal energetic wanderings, coding, mathematical formulation, scientific inquiry, yoga, chanting, dance, film, music, sound, translation, fiction, poetry, prose, aphorism. Is it ART? is it art? is it Art? This is an interesting question for another time, but also a different question than it may appear to be. For our purposes, we are more interested in "does it inspire? does it help me and my community grow/think/learn/be better?" and to look at how the creative people (which doesn't necessarily mean "artists") in our midst use their notes to grow themselves and their work. Above, you see a responsive notebook page of mine that ebbed and flowed, responding to the rhythms of a poetry reading that was introduced by Bob Holman, who spoke the words above: "from the seemingly random the rhizome develops." Something perhaps I never would have shared before this series, which brings some questions to the fore, for all of us: What does your field-note-book look like?
FILM: ornana
A month ago, I left New York—drove from Brooklyn sixteen hours straight to Peachtree City, Georgia. When I pulled up, a few of my favorite people were on the back porch of a normally quiet suburban house. We were gathered to film another ornana short.
AWESOME CREATOR*S*!: THE HELIOPOLIS PROJECT
[caption id="attachment_791" align="alignleft" width="300" caption="HELIOPOLIS presents The Industrious Revolution, May 2010"][/caption] The Heliopolis Project is a storefront gallery and project space in Greenpoint, Brooklyn NY dedicated to fostering a dialogue across all disciplines of making. Founded in 2010 by Eliza Swann and Jason Grabowski, Heliopolis has recently expanded. Collaboratively run, its members now include Bill Abdale, Georgia Elrod, Baris Gokturk, Leo Goldsmith, Rachel Rakes, Sarada Rauch and Andy Wolf. The first show curated by the new members was Soft Opening, March 9th-April 11th, 2012. The space was established to support artists with experiments in literature and art and to foster interdisplinary and translocal dialogues by hosting poets and artists in residence from around the US. As the economy and art market plummeted in the past few years a tightly knit arts community emerged that granted themselves authority over their own work and gave each other mutual permission and support to pursue an alternative way of thinking about the purpose and formal nature of art.