4th Annual NAPOMO 30/30/30 :: Day 23 :: David Moscovich on Laurie Anderson
[line] In this musing, this provocation, convocation, ritual love-letter, selfitaph—Laurie Anderson pins Hulk Hogan with her pinky finger. Why is it called a pinky? Laurie Anderson does not eat jelly roll donuts in this essay. Laurie Anderson K.O’s the homeless guy
4th Annual NAPOMO 30/30/30 :: Day 20 :: Peter Longofono on Paul Celan
Much—much—has been written on Paul Celan, one of those writers around whom there exists a thick and (at times) stultifying mantle of commentary. I’m going to stab at a personal reflection here, though I may be inclined to borrow ideas
4th Annual NAPOMO 30/30/30 :: Day 18 :: Lauren Klotzman on bpNichol's First Screening
SUBJECT LINE: UNSENT TO Z___ 3/1/15 1:00 PM dear z___- i know that we really just met and maybe things have been a little intense over that extremely short time period, but i have to say i really like spending time with
4th Annual NAPOMO 30/30/30 :: Day 15 :: Clara Lou on Trisha Low
[line] 1. Having been fed a diet of Lonely Girl Phenomenology and politicized autobiography, I endeavor to set IT HAPPENED TO ME in quotation marks, to matrix it, to learn how to speak from this fractured I. Trisha is like, “Okay! Let
REMAIN COMPOSED :: TODD LEREW :: FIELD NOTES :: THOUGHTS ON MUSICAL FAILURE, PART II
[box] For this special feature in our ongoing Field Notes series (where creators from all disciplines shine light behind the curtain at their daily practice — revealing the often messy, sometimes frustrating, surprisingly beautiful life along the way) the OS is excited to
AWESOME CREATOR(S): Sometimes a Doubled Mind (Makes An Astral Temple For A Donkey Goddess): Eliza Swann in conversation with Laura Zuspan
[box] Editor's Note: I am excited to reenter the next phase of our wonderful Awesome Creators series, began on Exit Strata in 2012, with this expansive, exploratory conversation between Eliza Swann and Laura Zuspan, penned for us by Swann - who
THE OS PRESENTS :: PRINT! DOCUMENT EXHIBIT A : RE/PRODUCTION and RE/PRESENTATION // CREATIVE CAPITAL and STRATEGIES FOR RESILIENCE for the ARTIST as ACCIDENTAL ENTREPRENEUR
FOR IMMEDIATE RELEASE: PRINT! DOCUMENT :: EXHIBIT A :: RE/PRODUCTION and RE/PRESENTATION LAUNCHPAD BROOKLYN 721 FRANKLIN AVENUE BROOKLYN NY OPENING JUNE 14th, 2013 at 6pm Curated by Managing Editor Lynne DeSilva-Johnson with Production Assistance from Ben Wiessner, Taylor Quilty, Kevin William Reed, and Georgia Elrod exhibiting selected artists
ART :: OPENING MAY 31 :: AWESOME CREATOR CHLOË BASS's BUREAU OF SELF-RECOGNITION @ MOMENTA ART
Editor's note: Exit Strata is very pleased to announce the opening and run of Awesome Creator / contributor Chloë Bass's culminating show of The Bureau of Self-Recognition project at Momenta Art in Bushwick (Brooklyn, NY), which opens on May 31st as part
WORK ONLY :: FORGOTTEN HISTORIES :: COFFEE WITH JAMES KALM
Creator / Filmmaker Shanna Maurizi writes: New York does not have a very good memory unless there is a lot of money and press involved, and the real history of the city is sometimes only preserved in the minds of people
RE:CONVERSATIONS :: OCCUPY LOVE :: WE ARE THE HUNDRED PERCENT :: AN INTERVIEW WITH VELCROW RIPPER
ExSt: How can we as artists work with the information that we're given? Why is non-informational media so crucial in making this movement really work? VR: Because activists so often think that, you know, the facts will be enough. And they really
