5th Annual NAPOMO 30/30/30 :: Day 2 :: Jacklyn Janeksela on Airea Dee Matthews & Rasheed Copeland :: Words to Shake a Cradle, A Nation
[box]It's hard to believe this year is our FIFTH annual 30/30/30 series, and that when this month is over we will have seeded and scattered ONE HUNDRED and FIFTY of these love-letters, these stories of gratitude and memory, into the world.
5th(!) Annual National Poetry Month 30/30/30 :: Nevertheless I Live :: Jay Besemer on Tristan Tzara
[box]It's hard to believe that today's post marks the first of our FIFTH annual 30/30/30 series, and that when this month is over we will have seeded and scattered ONE HUNDRED and FIFTY of these love-letters, these stories of gratitude
[re:con]versations :: OF SOUND MIND :: process and practice with CHORDS' Peter Longofono
[line] [box] [quote] In 2016 The Operating System initiated the project of publishing print documents from musicians and composers, beginning with Everybody’s Automat and this year’s chapbook series, all of which fall under the OF SOUND MIND moniker, and all of which are written by
4th Annual NAPOMO 30/30/30 :: DAY 30(!) :: Barrett Warner, Remembering Chris Toll
[script_teaser]And on the eleventh day, God created the Chris Toll.[/script_teaser][textwrap_image align="right"]http://www.theoperatingsystem.org/wp-content/uploads/2015/04/Screen-Shot-2015-04-27-at-12.03.46-PM.png[/textwrap_image] And on the fourteenth day, God destroyed him. Such was the brevity of his national spotlight, which was made possible when Adam Robinson’s Publishing Genius Press issued Toll’s principle collection, The
4th Annual NAPOMO 30/30/30 :: Day 29 :: Joanna C. Valente on John Milton
[line]Sometimes I like to think John and I are best friends, that we take long walks in Prospect Park together, looking like an old married couple as I momentarily guide him, work as his non-poetic eye. Of course, Milton was
4th Annual NAPOMO 30/30/30 :: Day 28 :: Kristen Tauer on Zachary Schomburg
[line]I first encountered Zachary Schomburg in springtime on a rooftop bar in downtown New York City, through the voice of another poet. The words hit me like this: [box] . . . . . . . . . . [/box] Which is to say that his work cracked a huge space in my understanding of
4th Annual NAPOMO 30/30/30 :: Day 26 :: Jeannie Hoag on Sara Teasdale and Edna St. Vincent Millay
[script_teaser]Growing up in my small Wisconsin town, there were four places I loved above all others: the park, the Dairy Queen, the stationery aisle of the drugstore, and the public library.[/script_teaser] When I was 12 or 13, I found among the
4th Annual NAPOMO 30/30/30 :: Day 25 :: Charles Theonia on Joe Brainard's I Remember
[line][h2]Wearing Green and Yellow on Thursday[/h2] Joe Brainard’s memoir I Remember could be a list, a series of prose poems, an associative diary of recollections about growing up queer in the 1940s and ’50s of the Midwest, with some Lower East
4th Annual NAPOMO 30/30/30 :: DAY 21 :: Brian Mihok on James Tate
I read some poems from James Tate in 2006. My reaction after just about every one was to look up from the page and spin my head around like an idiot to anything and everyone around me. Who knows where
4th Annual NAPOMO 30/30/30 :: Day 20 :: Peter Longofono on Paul Celan
Much—much—has been written on Paul Celan, one of those writers around whom there exists a thick and (at times) stultifying mantle of commentary. I’m going to stab at a personal reflection here, though I may be inclined to borrow ideas
