2nd ANNUAL NAPOMO 30/30/30 :: DAY 29 :: MORGAN VO on MINA LOY
“I was trying,” Mina Loy observed in 1927, with reference to her polyglot, punning, scholastic, asyntactic, unpunctuated free-verse poems, “to make a foreign language, because English had already been used.” Read more: http://marjorieperloff.com/reviews/loy-mysteries/#ixzz2Rp0FfojT Under Creative Commons License: Attribution from Morgan Vo, on and of Mina
2nd ANNUAL NAPOMO 30/30/30 :: DAY 24 :: ELIZABETH CLARK WESSEL on GRACE PALEY
There is a long time in me between knowing and telling. My favorite Grace Paley stories have one-word titles: Wants, Debts, Love, Friends, Mother. Each is just a few pages long. To me they comprise a world literature. Expansive, weighty, inexhaustible. To
2nd Annual NAPOMO 30/30/30 :: DAY 21 :: LUZ SANCHEZ on FOROUGH FARROKHZAHD
I like to believe I've always been a woman of culture, a student ready to learn about the world, a kid who might still believe that for as much as we are all so very different we are also so
2nd ANNUAL NAPOMO :: DAY 17 :: CAITS MEISSNER on YONA HARVEY
I have drunk in the words of Yona Harvey a'plenty and surfaced quenched. She is a blessing of a poet, a writer who's words stick in the psyche for time. Of her breadth of work, there is one particular poem
2nd ANNUAL NAPOMO 30/30/30 :: DAY 8 :: MONTANA RAY ON ALICE NOTLEY
Alice Notley. Alice Notley. Alice Notley is a miracle worker. That much we know is true. I heard --from Rachel Zucker-- she didn't care where she published. See: the tightly wound ball of rage that is "As Good as Anything." See here: "Written and judged