THE OS PRESENTS :: PRINT! DOCUMENT EXHIBIT A : RE/PRODUCTION and RE/PRESENTATION // CREATIVE CAPITAL and STRATEGIES FOR RESILIENCE for the ARTIST as ACCIDENTAL ENTREPRENEUR
FOR IMMEDIATE RELEASE: PRINT! DOCUMENT :: EXHIBIT A :: RE/PRODUCTION and RE/PRESENTATION LAUNCHPAD BROOKLYN 721 FRANKLIN AVENUE BROOKLYN NY OPENING JUNE 14th, 2013 at 6pm Curated by Managing Editor Lynne DeSilva-Johnson with Production Assistance from Ben Wiessner, Taylor Quilty, Kevin William Reed, and Georgia Elrod exhibiting selected artists
FIELD NOTES :: SARAH PINDER'S WEST COAST GREAT TOUR
So I went to the west coast for a week on a mini tour. The first stop was Portland, OR, at Future Farm for a house reading with Jessalyn Wakefield, Seth Brown and Imogen Binnie. It’s been a few years since I’ve seen Jessalyn,
ART :: NOTES FROM THE BUREAU OF SELF-RECOGNITION : CHLOË BASS
Exit Strata is pleased as punch to introduce you to interdisciplinary conceptual artist Chloë Bass, who will be sending us Field Notes from her upcoming journey across the pond as she continues her ongoing work with The Bureau of Self-Recognition.
POETRY MONTH 30/30/30 : Inspiration, Community, Tradition : DAY 10 :: Sarah Pinder on Libby Scheier
I encountered Libby Scheier’s work for the first time in my late teens, when I first moved to Toronto. It was a perfectly synchronous moment – I was so hungry for directness, and Scheier serves it up in spades. I devoured everything of hers I could get my hands on, treating the collections as guidebooks on possible routes to the places I wanted to go in my own work. She wrote so angry, and so tender, and candidly addressed relationships, violence and agency in ways that are paint-strippingly clear.