5th Annual NAPOMO 30/30/30 :: Day 3 :: Johnny Damm on The Glory of Raymond Roussel
[box]It's hard to believe this year is our FIFTH annual 30/30/30 series, and that when this month is over we will have seeded and scattered ONE HUNDRED and FIFTY of these love-letters, these stories of gratitude and memory, into the world.
5th Annual NAPOMO 30/30/30 :: Day 2 :: Jacklyn Janeksela on Airea Dee Matthews & Rasheed Copeland :: Words to Shake a Cradle, A Nation
[box]It's hard to believe this year is our FIFTH annual 30/30/30 series, and that when this month is over we will have seeded and scattered ONE HUNDRED and FIFTY of these love-letters, these stories of gratitude and memory, into the world.
4th Annual Poetry Month 30/30/30 :: Day 1 :: Diana Rickard on Akilah Oliver
[box]It's hard to believe that today's post marks the first of our FOURTH annual 30/30/30 series, and that when this month is over we will have seeded and scattered ONE HUNDRED and TWENTY of these love-letters, these stories of gratitude
3rd ANNUAL NAPOMO 30/30/30 :: DAY 15 :: CRISTINA PREDA on LILLIAN-YVONNE BERTRAM
[Editor's Note: Cristina Preda comes to us via our favorite model: the person to person relay-style hand off from former participants (in this case, frequent OS contributor, and all around badass inspirational mama Caits Meissner). I was overwhelmed with gratitude to
3rd ANNUAL NAPOMO 30/30/30 :: DAY 10 :: CONOR MESSINGER on MICHAEL McCLURE
[textwrap_image align="right"]http://www.theoperatingsystem.org/wp-content/uploads/2014/04/photo1-1.jpg[/textwrap_image]Clive Barker’s Hellraiser comes to mind when I try to reexamine Michael McClure. The box, the film’s main plot element, establishes an alluring promise to the observer based on curiosity, the glow of technology, intrigue, craft, only to show
