COMMUNITY :: THE INSTITUTE OF NARRATIVE GROWTH : CAITS MEISSNER and MARK GONZALES
There is nothing more at the heart of The Operating System than a deep belief in the transformative power of creative practice -- of storytelling and narrative practice, in particular. In light of that, nothing could give me more pleasure
AWESOME CREATORS :: An Interview with KNOW HOW MOVIE's Director Juan Carlos Piñeiro Escoriaza
In today's special edition of the AWESOME CREATORS series, editor Lynne DeSilva-Johnson joins in conversation with Juan Carlos Piñeiro Escoriaza, director of "KNOW HOW" - the first ever feature film written and acted by foster care youth. Check out the
OPPORTUNITY: BARBARIC AWP SEATTLE 2014 FIELD NOTES
[h5] The OS Wants YOU! to write journalistic / field notes type accounts of your days in Seattle, as we are unable to attend. [/h5] These could take very different approaches: On the one hand, The OS is interested in running naturally
RE:CONVERSATIONS :: OCCUPY LOVE :: WE ARE THE HUNDRED PERCENT :: AN INTERVIEW WITH VELCROW RIPPER
ExSt: How can we as artists work with the information that we're given? Why is non-informational media so crucial in making this movement really work? VR: Because activists so often think that, you know, the facts will be enough. And they really
COCO PROCESS COURSE:: ERIC MEYER’S FUCK THE MUSE: LESSON 2 :: ORDINARY TOOLS OF THOUGHT
Everything is a Remix Part 3 from Kirby Ferguson on Vimeo. "Creativity isn't magic. It happens by applying ordinary tools of thought to existing materials." — Kirby Ferguson It seems I can't dive straight into the five steps of creative process — my
EDITORIAL : THINKING ABOUT ART AT A TIME LIKE THIS
You who are on the road Must have a code that you can live by And so become yourself Because the past is just a good bye Despite the fact that I cannot think of a single person whose life has remained untouched by
EDITORIAL / CALL :: Rhizomatic Intentcasting and Cocreative Support :: Live Broadcast with links, notes, minutes and intentions for modelling
I know I say I'm excited to share things with you all the time -- this is genuinely true, and makes me even more excited. It's exciting that there's so many things to get excited about. In creativity and collaboration, there is more foment and room for possibility at this very moment than I've ever experienced before. And like YES! magazine for the creative community, perhaps, we're here to share the good news, in order to help you actualize that ... and learn who else is doing so. We've been addressing the use of social technologies and publication more and more recently, it seems. And with good reason: every day new tools crop up that can be incredibly useful in the establishment and leveraging of "creative agency" that we are working to model here at Exit Strata. For the past few weeks, we've been featuring the Field Notes and field recordings of Kennedy Karate/Nightbus Radio, via which we introduced the community to Soundcloud's fellowship program... as well as, perhaps, to the possibilities inherent in that recording and distribution platform. Since then, I signed on to begin broadcasting live across social platforms using the Spreaker application, which allows users to automatically record, broadcast and disseminate audio content (and mix in various audio sources). In so doing, I immediate recognizes the possibilities for this platform as, essentially, another form of publication-as-self-valuation, for creative people of ALL types, not just people who define themselves as "musicians," or "sound" artists in any way. The immediacy of the medium makes it an incredibly powerful one, in so far as it allows for simulcast of thoughts, read material, or whatever the individual so chooses, which can be recorded virtually via any internet connection and/or mobile device. Of course, to be unintentional with this tool creates confusion and adds to noise - as does misuse of ANY tool or technology, from farming and fishing nets to AI. It's the intentionality and clarity of purpose that makes this most powerful: we can engage with it to create continuous documentation of process in a way that is incredibly human, due to the connective qualities of the VOICE. After signing up I began circulating both my new channel and inviting others to participate via integration with facebook and twitter, and others began to use it as well and invite others on board. There was an immediate ripple affect, which simultaneously inspired essential conversations about process value and transparency that I knew could be useful to the community as others make their way through this new, seemingly overwhelming, wilderness of potential. I want to comfort people in knowing that the learning curve is gentle. These are not complicated tools, but they do require some quiet approaching, like a skittish animal... or maybe YOU are the skittish animal! Be gentle, it's a new paradigm :) What we've done here is used another powerful tool, Google Hangout, broadcast live via YouTube integration, to record a dialogue around these tools and their possibilities in shifting both community and self in the way we approach creative work. Taylor Quilty, in Asheville, NC, and Lancelot Runge, in Philadelphia PA, both of whom have also begun podcasting through Spreaker this week, join me for the discussion. What you also see here are the notes we co-wrote while on the "hangout" through integration with google docs, and some basic minutes of where the conversation went, including links to relevant information. You'll also find mini embedded players for each of our Spreaker casts, as well as a drop box for the new Exit Strata group on Soundcloud, where we will begin to gather community sound content (anything goes!) for upcoming live dialogues and community curated podcasts. Truly - there is limitless potential here. COME PLAY. {broadcast live via google+ hangouts on air} Rhizomatic Notes / Minutes Tuesday September 18 2012 Lynne DeSilva-Johnson Lancelot Runge Taylor Quilty
FIELD NOTES :: Now Playing on Nomadic Nightbus Radio:: Jack "Kennedy Karate" Wants YOU
I’ve had one hell of a time in Nashville. I lost my virginity and my pride watching and listening to some insanely talented musicians playing on Broadway. My man on the scene, Christopher Walken, got an eye opening interview with
ART CITY! : Bushwick Open Studios, June 1-3
Baby's all grown up! From its humble, DIY origins six years ago, Bushwick Open Studios [BOS] has blossomed into a behemoth of truly staggering proportions. This year, the festival -- highlighting arts and culture born and bred in this vibrant, buzzing, quarter of the Brooklyn creative map -- hosts an almost unbelievable 545 Events. It's a veritable smorgasbord, and like all festivals of this type is sure to include the good, bad, and the ugly. But the ugly could in fact be simply challenging, and you might just stumble onto the private studio of someone you'll later be able to say, "oh wow, I went to their show back in Bushwick in 2012!" -- but of course Bushwick itself has grown both as a real estate alternative and a refuge for artists fleeing rising rents in other parts of the city, and the weekend now hosts many artists already quite well known, represented, and collected internationally.
POETRY MONTH 30/30/30: Inspiration, Community, Tradition: DAY 17:: Jim Lounsbury on Les Murray
POETRY : A DREAM SEA OF WORDS by Jim Lounsbury About ten years ago, I stumbled into a heated debate with a filmmaker friend about whether words or imagery was a more effective way to convey emotion. I argued the case for words, and he took the side of imagery. As the disagreement escalated to a passionate squabble and then to a stamp your feet and beat on your chest free-for-all, I began to wonder what gave me such a strong opinion on the issue. We were both filmmakers. We were both avid photographers. We were both working in the visual arts. What then, was my problem with accepting the visual medium as the superior art form? At the end of the night, we agreed to disagree, and I left, still confused about why I was so confident in the power of words. Of course, my affinity for words could be biological. My internal chemistry set might not react to imagery as powerfully as it does to a well placed noun, but I wasn't going to let myself off the hook that easily. Over the course of many months, my thoughts often returned to this argument until a plausible explanation finally struck me a few weeks later. Imagery was powerful at evoking emotion, but words have the ability to surgically cut to the bone and identify a precise emotion.