RE:CONVERSATIONS :: OCCUPY LOVE :: WE ARE THE HUNDRED PERCENT :: AN INTERVIEW WITH VELCROW RIPPER
ExSt: How can we as artists work with the information that we're given? Why is non-informational media so crucial in making this movement really work? VR: Because activists so often think that, you know, the facts will be enough. And they really
AWESOME CREATORS :: FILM :: THE BEGINNING IS HERE! :: OCCUPY LOVE :: RELEASE / TOUR BEGINS MAY 3rd IN NYC
“Everything can be taken from a man but one thing: the last of the human freedoms—to choose one’s attitude in any given set of circumstances, to choose one’s own way.” ― Viktor E. Frankl, Man's Search for Meaning Sometime during the occupation of
EDITORIAL : THINKING ABOUT ART AT A TIME LIKE THIS
You who are on the road Must have a code that you can live by And so become yourself Because the past is just a good bye Despite the fact that I cannot think of a single person whose life has remained untouched by
SPECIAL EDITORIAL / AWESOME CREATORS EDITION:: "RENDERING THE OLD MODEL OBSOLETE" : 100,000 POETS FOR CHANGE
"history is a living weapon in yr hand & you have imagined it, it is thus that you "find out for yourself" history is the dream of what can be, it is the relation between things in a continuum of imagination what you find out for
AWESOME CREATORS *NEED YOUR HELP* :: SUPPORT THE OCCUPY POETRY ANTHOLOGY!
In the introduction to the Occupy Wall Street Poetry Anthology it reads, "all movements need their poets to set the tone, to raise the questions and express the sensibility."
And so begins a tome of over 1000 pages, one that compiler Stephen Boyer originally imagined as merely a "few pages stapled together."
If you wonder how it sets the tone, you need only read the cover page, where the first words after the title are, "WE LOVE YOU."
