My transition from “actor” to “writer” turned out to be harder than I thought. I was in my second year at Oberlin and had begun to drift away from the theatre community that had been so much of my self-definition.
In her book of essays Proofs and Theories, Louise Gluck writes, “The argument for completion, for thoroughness, for exhaustive detail, is that it makes an art more potent because more exact – a closer recreation of the real. But the
[line] Several years ago, I was coming off of a particularly painful year that commenced with the severing of a seven-year relationship and ended with the passing of my grandmother. From the moment my grandmother stepped foot in this country, she