[RE:CON]VERSATIONS :: JENNIFER SERTL’S #RESOURCES FOR #RESILIENCE :: PT 5 :: A GRADUATION CELEBRATION :: COMMENCEMENT WORDS OF WISDOM
In this weekly [RE:CON]VERSATION series-within-a-series, thought leader and strategist Jennifer Sertl brings us #REFLECTIONS : a curated list of links mined from her substantive, expansive social technology practice. These resources span geographic and disciplinary bounds to identify sources of guidance and resilience
WORK ONLY :: IN THE STUDIO WITH KATE CLARK
Kate Clark creates striking sculptures that synthesize the human face onto the bodies of wild animals. In the pursuit of a longstanding interest in the face and its unique abilities for expression, abilities which separate us from other mammals, she brings
WORK ONLY :: In the Studio with Barney Haynes
Work Only Episode 3: " The Propagation of the Symbiont: In the studio with Barney Haynes" Barney Haynes has been working in the fields of video art, performance, reactive installation, and invasive media for 20 years. In his art he has
IN MEMORIAM, IN SOLIDARITY : AARON SWARTZ's GUERRILLA OPEN ACCESS MANIFESTO
"With enough of us, around the world, we’ll not just send a strong message opposing the privatization of knowledge — we’ll make it a thing of the past. Will you join us?" - Aaron Swartz; Eremo, Italy, 2008 Here at Exit Strata,
PRINT! Vol. 2 :: EVOLUTION AND GENESIS : THE PLAY'S THE THING
Ripe For Pleasure on Mysterious Mountain - TRAILER from Eliza Swann on Vimeo. In the 1960's, Brion Gysin and William Burroughs developed a method which allowed them to free themselves, together, from the strictures of either of their minds, alone. 'The
Community CoCo / U-Topian Rhizome PARTICIPATORY PROMPT: on the co-evolution of language/music
In which we reach out to our community to engage in the making of Collaborative Content beyond our Topic (place-bound) limitations, to invite you to participate Rhizomatically in the conversation/dialogue that happens here on site. Responses will be catalogued and posted in a follow up feature, and potentially (if you are speedy) read from at the event itself. Please email all responses to editors@exitstrata.com or respond in the comment section below. Thanks for playing! What makes human communication different from that of animals? Where does music fit in? How can our poetic or other verbal creation be representative of a more essential form of human communication, reminding us of our linguistic origins?