POETRY MONTH 30/30/30 : Inspiration, Community, Tradition: DAY 23: Lauren Marie Cappello on Lorine Niedecker
The way it happens with water is like this: The beginning is unclear, maybe it happened first with rain, maybe the clouds made water from vapor or notes on dreams. Also, there is the way the water moves; it is sure of itself, searching the lowest point - steady in the breaking down of it retaining its structure to the smallest division. It asserts itself in seeking to fill its surroundings, tracing a path from one substance to the next leaving great distinction between where it is and where it is not. Lorine Niedecker’s poetry contains the essence of the water she lived by, moving across one phenomenon, seeking another in connection like a river, leaving a trail on the small portion of those places her poetry touches.
Niedecker's work places the objects before the reader; it is in the selection of them by this poet that the scene is imbued with meaning. All else is relative. Throughout the objectivist movement, most avoided metaphor in their poetry. They took to the style of portraying the happening as it was with a feeling that in its conveyance to the audience the intended emotion would be transmitted. Niedecker’s work is a hybrid of objectivism blended with her interest in surrealism, which was contained and bubbling just below the surface. In a letter to Monroe in 1934, Lorine wrote"…the whole written with the idea of readers finding sequence for themselves, finding their own meaning whatever that may be, as spectators before abstract painting."